DURA's StAnza 2021 reviews: The World Before Snow

Friday 5 March 2021

Tim Liardet’s The World Before Snow, his second collection to be nominated for the T. S. Eliot Prize, is described by Carcanet as “a book of passionate extremes.” Inspired by the poet's chance meeting (and subsequent love affair with) an American poet after the two were trapped in a Boston museum during a snow-storm, the collection showcases the transformation and self-exploration Liardet underwent following this encounter. This is a collection of contradictions: of loose and tight images, long and short stanzas.

Even the cover prepares the reader for these binaries. René Magritte’s The Musings of a Solitary Walker (1926) is painted in incandescent whites and matte blacks, illustrating the collection’s achromatic and opposing dualities.  Completed fully eighty-seven years before Liardet’s book, the image perfectly encapsulates the notion of the self being composed of multiple personas: the cover's “solitary walker” depicts one man naked, horizontal and white, while the other clothed, dark and upright, faces away. Throughout, Liardet suggests these opposing versions of the “self”, which he explores in his numerous “Self-Portrait” poems, are themselves constructed through conflicting notions of love, which in turn he describes as “the havoc at which you cannot balk.”...

 

This is an excerpt of a review by Kate McAuliffe of Tim Liardet's The World Before Snow. For more information on Liardet at StAnza21, please click HERE. To read the whole review, go to the DURA webpage.    

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