DURA @StAnza21: Creating and connecting through art

Tuesday 9 March 2021, 22:08

Festivals through zoom... who would have thought we’d be here a year ago? Nevertheless, we persevere, and this year's StAnza is proving to be a breath of fresh air for our rather stale state of living in lockdown. Tuesday kicked off with an Inspire Session from Joelle Taylor in which she discussed the concept of page fright: a blank wall or a window depending on your perspective. Her advice was to pick a line at random from any book, write it down on paper then continue to write, keeping pen to page for five minutes and letting whatever comes to mind flow. As a student with deadlines approaching and stress mounting, this advice is very welcome!

Image of a blurred face obscured by a wrinkled grey-blue surface, with black text rippling across it.

Astra Papachristodoulou

Next came the Meet the Artists portion of the day, hosted over zoom by Chris McCabe, Astra Papachristodoulou and Jinhao Xie. Today's focus was Instagram Poetry, a fitting form for our virtual festival. With a rich and diverse history of visual poetry, this newest medium is reaching younger audiences and attracting a new generation of poets. Astra introduced us to her innovative sculpture poetry, made from bio resin, and inspired by her interest in natural elements. Thinking back to the inspire session, it seems Instagram provides a digital blank page, more suited to showcasing this form of visual poetry than the limitations of paper.

Jinhao finds the creative freedom of Instagram similarly liberating, posting first drafts on their platform in order to share the flaws involved in the creative process. This way of sharing edits with their audience allows for a more immediate and personal connection to their fanbase than traditional publication. For both poets, Instagram allows them to reach a wider audience, but more importantly to connect with other artists. I find this idea of community particularly appealing during lockdown, as a way to share creatively online while government restrictions prevent us from meeting in person.

Later in the day we joined Will Harris for the Poets at Home session, a new feature for StAnza. Recorded on his phone and  laptop, the session gave us an inside look at the creative process behind making poetry. Despite the virtual medium, this felt very personal, and chimed with earlier discussion in the Meet the Artists section about using technology to connect and share creatively. From handwritten notes jotted down on paper, to photographs and screen shots of media found on the internet, this segment felt archival in nature. The process of creating poetry has been the main focus of today’s events, and I’ve enjoyed learning more about how each poet happens across their inspiration.

White text on black background: Centre: 'My tears / are / the litmus test / of / my gender / performance'. Bottom left: 'title:untitled'. Bottom right: 'by xie.jin.hao'. Top left and centre right there are white symbols of eyes with droplets underneath.

Jinhao Xie

My last poetry fix of the day came from the Poetry Centre Stage in the evening. Sitting with a cup of tea in the comfort of my living room, I was transported around the world while listening to Tim Liardet and Naomi Shihab Nye. Poetry spoken out loud from the poet themselves is always a magical experience, and this event was no exception. The readings felt intimate, and like the rest of the events today I came away with a sense of connection. I guess that speaks to the power of poetry, its ability to cross borders, to elevate the personal to the collective. And what better place to experience and enjoy poetry than StAnza?


Jessica Stevenson

Categories: News

DURA's StAnza 2021 reviews: Collective Amnesia

Tuesday 9 March 2021, 20:30

In her poem ‘hand-me-downs’, placed boldly near the very beginning of her debut collection Collective Amnesia, South African poet Koleka Putuma writes: ‘I have learnt how to say my glass is half full even when it’s broken’. This collection as a cohesive entity offers no such pretence or platitude. Beautiful, thought-provoking, and scorching in its honesty, Collective Amnesia is a cathartic pouring-forth of words left unsaid for far too long.

Putuma’s poetry is heavily intertwined with her own identity. Here, she explores what it means to be a womxn (her own insistent terminology) in a world where men feel entitled to your space and your body; what it means to be a lesbian under the eyes of Christianity, or under the hands of a lover; what it means to be a Black South African living in a country that white people laid unjust colonial claim to.

              You can’t go up the mountain without going past my property,
She says.
              I ask if she owns the mountain
              And she says she owns this land.


Much of the third act of the collection, ‘Postmemory’ (following ‘Inherited Memory’ and ‘Buried Memory’), picks apart the hypocrisy of colonizers and their descendants claiming they can own anything on stolen land. ‘mountain’ in particular focuses on how unthinkable it should be for someone to take a mountain in a country they essentially invaded and claim it as private property – and yet it happens, with mountains, with people, with ways of life. The repetition in this poem, over and over again, describing how colonialism and its knock-on effects wear one down little by little, is exquisite. It gives the impression that while this collection is powerful on paper, it could be transcendent if performed aloud.

Her prose carries something of Audre Lorde in it – both ephemerally and quite literally. Putuma goes as far as to name her as part of her ‘lifeline’ in what is presented as the poem-that-is-not-a-poem of the same name.

Several of the poems in Collective Amnesia tell stories that so enrapture you to the point where you find yourself carried across several pages before you remember to blink. Others take the opposite approach, though both have equal power....


This is an excerpt of a review by Simon JordanFor more information on Koleka Putuma and her digital installation of Collective Amnesia  at StAnza21, please click HERE. To read the whole review, go to the DURA webpage.   

Categories: News

Catch up with the SPL, a regular visitor at StAnza

Monday 8 March 2021, 14:24

Colin Waters from the Scottish Poetry Library shares news from the library.

Has it been a year since the last StAnza? It seems like yesterday…and a decade, the temporal equivalent of the famous shot in Hitchcock’s Vertigo where the camera zooms in while tracking out. As I recall it, news of the oncoming pandemic was bearing down hard on StAnza last year as it took place, which led to the Library reluctantly cancelling its trip up to St Andrews and an interview we planned to record for our podcast.

Since then, many of us have discovered the joys of video-conferencing and online readings. The show will go on! The return of StAnza as we leave the season of Covid hell is like a dove reappearing with a fresh olive leaf in its beak. We at the SPL are looking forward to tuning into an irresistible line-up of fresh talent and mature voices.

It’s been a heck of a year for the SPL too, as you can imagine. In common with every arts organisation in Scotland, we faced the dilemma of how to continue our services when the heart of our business – our building, where our collection is housed and our events are staged – was out of bounds. So, we evolved.

In terms of borrowing, we now offer a ‘click and collect service’, where borrowers, after consulting our catalogue, which can be accessed by our website, call or email us to say which titles they’d like. After that, they can come down to the Library in person, where a member of staff will safely hand them their books at the entrance. We also offer free postal loans.

We recently invested in a new website to better present digital content. As a result we were able to adapt more agilely to lockdown through the commissioning of films and online activity that can be accessed at home and in the classroom. With live events not possible, we looked into how we could share poetry with our audience, particularly on significant dates on the poetry calendar. For National Poetry Day, we filmed John Hegley in the Library reading his work and speaking with fellow poet Michael Pedersen. As the year ended, we filmed a 30-minute introduction to the Library, its work and history, featuring poets Louise Peterkin and R.J. Arkhipov, and hosted by Saltire Prize-winner Janette Ayachi, who turned out to be a natural (BBC Scotland, hire her now!).

For Burns Night, we commissioned three pieces featuring Dundee’s Morgan Academy, writer and presenter Alistair Heather and Scots language advocate Lennie Pennie reading Burns poems. We also commissioned a series of short films featuring James Robertson and Sheena Blackhall, two of Scotland’s leading proponents of Scots language. In conversation with Alistair Heather, the poets selected and shared favourite children’s poems that they think young people and teachers would enjoy as much as they do. Finally, our film Pass the Mic, hosted by Vic Galloway and featuring performances by Courtney Stoddart, Victoria McNulty and Kevin Gilday, was a joyous ‘virtual ceildh’. Supported by the Scottish Government, it was produced by the Scottish Poetry Library as part of the Robert Burns and Winter Festivals cultural programme.

We placed these films on our website, YouTube and all the places you would expect – and have had an astonishing response. The 30 minute film of Sheena Blackhall talking about children’s poems in Scots has been watched all the way through over by 8,000 people and ‘reached’ another 50,000 via Facebook alone. When in pre-pandemic days we held events in the building, at best we could contain an audience of 60 people. Video and social media have opened up opportunities for connecting audiences with poetry. Hell of a way to find out just how effective, sure, but once the world opens up again, we anticipate continuing to work on video, although of course we’ll also be looking forward to staging our first live events. I’m sure StAnza is also relishing the thought also of a return to safe in-person events. The world is waking up and there is no better place to be (virtually this year) than StAnza.

Categories: News

St Mungo’s Mirrorball – Celebrating StAnza 2021 on the Clyde

Sunday 7 March 2021, 09:43

Gillian Dawson of St Mungo's Mirrorball looks forward to some highlights at StAnza.

Our One Drives are prompting us to ‘Relive this Day’ in years past with photos of Jannetta’s ice cream cones held against blue skies, snowdrops and snow, and always the Byre, bookshops, streets, cafés packed with poets. Although we’ll miss the frisson of St Andrews this time, we’re looking forward to immersing ourselves, virtually, in StAnza 2021 on the banks of the Clyde.  

Greyscale picture of a boy in a kilt and with a halo holding a discoball over a Glasgow skyscapeSt Mungo’s Mirrorball, the Glasgow network of poets and poetry lovers, have always had strong links with the festival as partners, participants and audience members and this year’s online programme is no different with an enticing line up of poets and poetry events, many featuring Mirrorball members. Here are our hot picks of the week to come:

A highlight of StAnza is the Risk a Verse open mic. This year’s open mic is a joint StAnza–St Mungo’s Mirrorball live webcast on Friday 12th March, 9-10pm which poet, writer, editor and Mirrorball member, Sam Tongue will MC on Zoom. Dust off a poem, limber up your lips and tongue and come along for the ride. The Festival Café will be also open as a separate social room if you want to chill out.

2020 marked the beginning of Mirrorball’s partnership with the Edwin Morgan Trust. The inaugural Scots Makar, a Glasgow-based poet with an international view, Edwin Morgan is close to our hearts and we were excited to launch Clydebuilt 13, the 13th year of our innovative verse apprenticeship scheme as part of the #EdwinMorgan100 celebrations. We’re sure you’ll be delighted as we are to find these Edwin Morgan events in this year’s StAnza programme:

If you’re looking for some top tips from some great poets, look no further than the Inspire Sessions, 12.00–12.10pm each day. We’ll have our notebooks at the ready for writing hints from these Mirrorballers:

Between the Covers audio readings: if there’s a more relaxing way to untether from the stresses of the day and float away than listening to poetry, we can’t think of one. Two more Mirrorball members to help round off your day, thanks to StAnza:

  • Larry Butler – Thursday 11th, 10-10.15pm – Unwind with playful poetry, hopeful poetry, contemplative poetry from teacher of tai chi, trainer of wellbeing practitioners and poet.
  • Sheila Templeton – Friday 12th, 10-10.15pm – Four times winner of the James McCash Scots Language Competion, Sheila promises to read in her best bed-time-story voice: prepare to be soothed by her melodic poems in Scots and English.

One of the pleasures of StAnza is the Poetry Market, so many tempting books and pamphlets to take home to add to that teetering pile on your bedside table. It’s such a relief to see there will be a virtual Poetry Market on Sunday 14th, 2.30-3.15pm, a Breakout Room Zoom to browse and speak to publishers and stall holders, the chance of a serendipitous purchase which becomes a life-long favourite.

Like StAnza, St Mungo’s Mirrorball has gone digital. We continue to run monthly poetry Showcase events on Zoom which allows us to connect with poets and poetry lovers much further afield than was otherwise possible.

Visit Mirrorball's website or find them on Facebook and Twitter. If you’d like to join the Mirrorball, please email Jim Carruth:

Categories: News

DURA's StAnza 2021 reviews: Palimpsest

Saturday 6 March 2021, 10:54

To consider Clive Birnie as a poet or an artist might be unnecessarily limiting. Both his artistic and written talent are on show in Palimpsest, the eighth of an experimental sequence of writing, whose vibrant aesthetics are indicative of his sincere love for visual art forms. Birnie’s previous endeavours include Cutting Up the Economist and Hashtagpoetry#: The Hidden Poetry of Twitter, Cut up, Painted and Posted to Instagram. In this poetry pamphlet palimpsest appears in two guises, as an innovative creative technique, and the name of a mystifying protagonist; Birnie borrows words from other works, and uses a sequence of poems to tell the story of Palimpsest – a revenge murderer.

Welcome to the world.
Be square
and divide
cut the problem small
take shortcuts wherever possible.

The story unfolds unwillingly in a matter of thirty poems. Each untitled poem is created from scraps of other texts, and builds to a commentary on the spontaneous yet restrictive contemporary world, following a perplexing and bewildering story that often leaves any true sense of plot to the reader’s own calculations. Matching the distorted style, is the narrative perspective, shifting as it does between first and third person.

A protagonist who touches on dark topics with the lightest of hands, turns a story of murder into a lively social commentary – this is the pronounced matrix at the heart of Palimpsest....


This is an excerpt of a review by Mhari Aitchison of Clive Birnie's Palimpsest. For more information on Birnie at StAnza21, please click HERE. To read the whole review, go to the DURA webpage.   

Categories: News

Guest editors at StAnza: starting the festival with Glasgow Women's Library

Saturday 6 March 2021, 08:21

Morag Smith from the Glasgow Women's Library looks forwrad to her highlights at StAnza.

I’m national development worker for Glasgow Women’s Library and a big fan of Stanza so it’s a pleasure to be asked to contribute to the festival blog. GWL champions the work and lives of women poets and writers past and present, so I’m excited to see so many great events focusing on women.


I’ve recently been reading the selected poems of Palestinian-American poet Naomi Shihab Nye (Words Under the Words, selected poems). GWL staff frequently read from Naomi’s work in workshops and Story Cafe events so I’ll be making sure to catch her and Tim Liardet on Tuesday 9th March.


I’m also looking forward to hearing Tishani Doshi, the Welsh-Gujurati poet, reading live on Friday 12th March. Tishani’s poem 'Girls are Coming Out of the Woods' blew me away when I first read it and her collection of the same name was shortlisted for the Ted Hughes award.


Another little box of treats I’m signing up for are Stanza’s Poets at Home series of short 15 minute films which run throughout the festival. They are perfect for my lockdown attention span and I can easily fit them into my day – I’m especially looking forward to Ella Frears on Monday 8th March (1730 to 1745). I saw Ella read just a few weeks ago at the T.S. Elliot awards – her energetically present poetry is dark, humorous, beautifully written and touches on many things including sexual politics, womanhood and girlhood.


We work with many volunteers at GWL, so I asked Jo one of our volunteers who is also a keen poet and writer, for her Stanza recommendations and she picked out these two sessions:


Sun 7th March 10.30-11.30: Poetry and meditation

I love the idea of listening to meditation and readings in the morning, especially at its later start of 10.30 and gently be eased into feeling you’ve been active while extending your relaxing Sunday morning.


Sun 7th March 12-12.10: Inspire session

I love this idea of becoming inspired in 10 mins, that you can then take creatively into your own poetic practise, or inject excitement into your conversations through the week!


Three women of different ages sitting and reading at a table with coffee in a libraryIf you start getting withdrawal symptoms when Stanza is over, have a look at some of GWL’s exciting online literary events coming up in the near future. Our online Story Cafes are a chance to draw up your chair, sit back and relax while listening to readings of poetry, fiction and non-fiction by GWL staff and volunteers from a wide range of women writers. You can take part in the zoom chat and ask questions or just listen in and (re)discover the pleasure of being read to at these lovely informal events. Story Cafes coming up soon include:

Brave Your Day on Thursday 18th March at 1pm with Charley Gavigan ( Charley looks at how the power of stories can unite us in these uncertain times.

Story Café special with Kirsten MacQuarrie on 22nd April at 1pm ( Kirsten will be reading from her debut novel, Ellen and Arbor.

Talking of festivals, May 2021 also sees the return of GWL’s innovative Open the Door festival, which will run online from 20th to 22nd May. Open the Door is a unique festival that aims to break down the barriers between writers and readers and generate new discussions. The title of the festival comes from Catherine Carswell’s classic work of fiction and we want to create open doors into the worlds of reading and writing through every event and conversation. Each year the festival focuses on the life and work of three women writers from the past whose work deserves more attention. Past writers have included Sandy Craigie, Wangaari Mathai, Jessie Kesson and Maud Sulter. This year we will be looking at writers who are artists and artists who are writers and have a really exciting line–up of live chats between women authors/artists, conversations on social media, informal workshops and much more. We will also be looking for entries for our Calm Slam - the GWL Open the Door Calm Slam is for every woman* who loves poetry but likes the quiet life and is aimed at women who haven’t taken part in poetry slams before. We’ll looking for your words and your videos, with you in front or behind the camera. Details of how to enter the Calm Slam and of all Open the Door events will be announced very soon, so keep an eye on the events programme on our website:

Thanks for reading the blog, have an amazing time at Stanza and hope to see some of you at Glasgow Women’s Library events in the future!

You can find GWL on Facebook, Twitter (@womenslibrary) and Instagram (@womenslibrary). You can also join their mailing list for monthly updates.

Glasgow Women's Library in black letters, next to a sign like a children crossing the road sign, but where one of the figures is a stick girl and the other is an "i"

Categories: News
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